{"id":196,"date":"2021-10-20T16:43:08","date_gmt":"2021-10-20T19:43:08","guid":{"rendered":"https:\/\/gramofone.com.br\/alceobocchino\/presentation\/"},"modified":"2021-10-22T11:59:36","modified_gmt":"2021-10-22T14:59:36","slug":"presentation","status":"publish","type":"page","link":"https:\/\/gramofone.com.br\/alceobocchino\/en\/","title":{"rendered":"Presentation"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_image=”117″ bg_position=”left center” background_image_loading=”default” bg_repeat=”no-repeat” full_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][divider line_type=”No Line” custom_height=”600″][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#d5cfba” scene_position=”center” top_padding=”100″ bottom_padding=”100″ text_color=”custom” custom_text_color=”#000000″ text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”25″ animation=”Fade In” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” margin_bottom=”50″][vc_column_text]\n

THE MOTIVATION<\/strong> FOR THIS PROJECT DATES BACK MANY YEARS, EVER SINCE I WAS INTRODUCED BY CHANCE TO DIVERTIMENTO CURITIBOCA, WHEN I SETTLED IN CURITIBA, COMING FROM RIO DE JANEIRO, IN 1992, I HAD THE PLEASURE OF PLAYING WITH THE PARAN\u00c1 SYMPHONIC ORCHESTRA CONDUCTED BY ALCEO BOCCHINO HIMSELF AND HAVING ONE OF MY DEAREST TEACHERS, CLARINETIST JOS\u00c9 BOTELHO, AS A SOLOIST IN THIS INCREDIBLE WORK, WHICH BRINGS TOGETHER SEVERAL BRAZILIAN RHYTHMS, ESPECIALLY CHORINHO. THIS RHYTHM IS PRESENT IN MY TRAJECTORY TODAY, LIKE SO MANY OTHER STYLES THAT ARE PART OF MY CAREER. AFTER YEARS OF PERFORMING TOGETHER<\/strong> ON STAGE, WE BECAME GREAT FRIENDS AND BOCCHINO, AFTER A REVIEW, LEFT THE ORIGINALS IN MY HANDS, WITH THE CERTAINTY AND CONFIDENCE THAT I WOULD STUDY IT AND PREPARE MYSELF TO PLAY THIS VERY SPECIAL PIECE. AND, TO RECIPROCATE AND PAY HOMAGE TO THE CONDUCTOR<\/strong>, I COMPOSED A SHORT TRIO, USING SAUDADE IN THE FIRST MOVEMENT, A MELODY BY MASTER BOCCHINO FROM THE SONG “QUE COISA”. TO COMPLETE THIS TRIBUTE<\/strong>, I BROUGHT TOGETHER TWO WORKS BY A VERY TALENTED YOUNG COMPOSER, AS WELL AS A GREAT FRIEND, SANTIAGO BEIS. TWO QUINTETS FOR CLARINET AND STRINGS. THE RESULT OF THESE TWO VERY SPECIAL FRIENDSHIPS SO IMPORTANT TO MY CAREER IS THE RECORDING OF MY FIRST CHAMBER MUSIC ALBUM.<\/p>\n

MARCELO OLIVEIRA<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#b4a984″ scene_position=”center” top_padding=”50″ bottom_padding=”50″ text_color=”custom” custom_text_color=”#000000″ text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”2px” column_border_color=”#9e9474″ column_border_style=”double”][image_with_animation image_url=”35″ animation=”Fade In” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][image_with_animation image_url=”40″ animation=”Fade In” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][image_with_animation image_url=”37″ animation=”Fade In” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default”][vc_row_inner column_margin=”50px” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Born in Curitiba (Paran\u00e1) on November 30, 1918, Alceo Ariosto Bocchino is one of the most important names in Brazilian music.<\/strong> He was one of the founders of the National Symphonic Orchestra of R\u00e1dio MEC, the current UFF Orchestra, with which he made important recordings. Bocchino belongs to the select group of musicians with multiple talents<\/strong>. He was, at the same time, a true piano prodigy (having made his first public performances at festivals and events at the age of five), one of the most important and respected Brazilian composers of the 20th century, as well as an arranger, teacher and, mainly, orchestra conductor.<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

As a conductor, he performed in the Brazilian Symphonic Orchestra, the Municipal Theater Symphonic Orchestra, conducted concerts with some overseas orchestras, such as the Bilbao Symphony, in Spain, and the Burg\u00e1s Philharmonic, in Bulgaria, as well as being the founder and head conductor of the Paran\u00e1 Symphonic Orchestra and the aforementioned National Symphony Orchestra of R\u00e1dio MEC. The work \u201cDivertimento Curitiboca\u201d<\/span><\/strong> is presented as Brahms with Brazilian rhythms, and was composed in 1993 for chamber orchestra, recorded in this album in a version for piano and clarinet.<\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#000000″ bg_image=”42″ bg_position=”center center” background_image_loading=”default” bg_repeat=”no-repeat” full_height=”yes” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”44″ animation=”Fade In” hover_animation=”none” alignment=”center” border_radius=”none” box_shadow=”medium_depth” image_loading=”default” max_width=”100%” max_width_mobile=”default”][nectar_btn size=”large” constrain_group_1=”yes” constrain_group_2=”yes” button_style=”regular” button_color_2=”Accent-Color” icon_family=”none” text=”Access the Scores” margin_top=”30″ margin_bottom=”30″ margin_left=”30″ margin_right=”30″ url=”https:\/\/gramofone.com.br\/alceobocchino\/partituras\/”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#333333″ scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_image_with_hotspots image=”47″ preview=”https:\/\/gramofone.com.br\/alceobocchino\/wp-content\/uploads\/2021\/10\/bg_musicos-1.png” color_1=”Extra-Color-3″ hotspot_icon=”plus_sign” tooltip=”hover” tooltip_shadow=”none”][nectar_hotspot left=”6.92351%” top=”32.1724%” position=”bottom”]MARCELO OLIVEIRA[\/nectar_hotspot][nectar_hotspot left=”28.58040201005025%” top=”41.357294855178374%” position=”right”]RAFAEL STEFANICHEN FERRONATO[\/nectar_hotspot][nectar_hotspot left=”36.40075376884422%” top=”30.333949204423238%” position=”bottom”]SAMUEL PESSATTI[\/nectar_hotspot][nectar_hotspot left=”48.68788386376326%” top=”27.116712167590475%” position=”bottom”]DANIEL MENDES[\/nectar_hotspot][nectar_hotspot left=”64.9881%” top=”19.763%” position=”bottom”]HERMES ADRIANO DRECHSEL[\/nectar_hotspot][nectar_hotspot left=”71.6918%” top=”41.3645%” position=”bottom”]RICARDO MOLTER[\/nectar_hotspot][\/nectar_image_with_hotspots][nectar_btn size=”large” constrain_group_1=”yes” constrain_group_2=”yes” button_style=”regular” button_color_2=”Extra-Color-1″ icon_family=”none” text=”Meet the participants of the project” margin_top=”30″ margin_bottom=”30″ margin_left=”30″ margin_right=”30″ url=”https:\/\/gramofone.com.br\/alceobocchino\/musicos\/”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#333333″ scene_position=”center” top_padding=”100″ bottom_padding=”20″ text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ font_color=”#d5cfba” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”2px” column_border_color=”#b3a884″ column_border_style=”double”][image_with_animation image_url=”192″ animation=”Fade In” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”100%” max_width_mobile=”default” margin_bottom=”30″][vc_column_text]01. DIVERTIMENTO CURITIBOCA <\/strong>(1993) – 10\u00b436 – BRGPA2100032
\nAlceo Bocchino<\/strong> . Homage to Brahms under Brazilian popular music rhythms
\nClarinet: Marcelo Oliveira \/ Piano: Hermes Drechsel<\/p>\n

TRIO FOR CLARINET, VIOLA AND PIANO<\/strong> (2017)
\nMarcelo Oliveira
\nClarinet: Marcelo Oliveira \/ Viola: Daniel Mendes \/ Piano: Hermes Drechsel<\/p>\n

02. MOVIMENTO I – SAUDADE <\/strong>. Homage to Master Alceo Bocchino on the centennial of his birth
\n2\u00b440 – BRGPA2100033<\/p>\n

03. MOVIMENTO II – LOVE<\/strong>. Dedicated to Maya’s birth – 3\u00b445 – BRGPA2100034<\/p>\n

04. MOVIMENTO III – ALEGRIA <\/strong>. Dedicated to street artists – 2\u00b455 – BRGPA2100035<\/p>\n

05. QUINTETO No. 1<\/strong> (2013-2016) – 10\u00b418 – BRGPA2100036
\nSantiago Beis<\/strong> . for clarinet and string quartet
\nClarinet: Marcelo Oliveira \/ Violins: Rafael Ferronato e Ricardo Molter
\nViola: Daniel Mendes \/ Cello: Samuel Pessatti<\/p>\n

06. MOSAICO <\/b>(2017) – 12\u00b454 – BRGPA2100037
\nSantiago Beis<\/strong> . for clarinet and string quartet
\nClarinet: Marcelo Oliveira \/ Violins: Ricardo Molter e Rafael Ferronato
\nViola: Daniel Mendes \/ Cello: Samuel Pessatti[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#333333″ scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” 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